Browse Items (3 total)

Like much of the sculpture of the Romantic movement in French art, Préault's work was rejected from the Paris Salons throughout the 1830s and 1840s. Official recognition came after the Revolution of 1848. This plaster group is the working model for…

Moreau, a virtually unknown artist at the age of thirty-eight, triumphed at the Salon of 1864 with his interpretation of the myth of Oedipus and the Sphinx. This painting represents the moment when Oedipus confronts the winged monster outside Thebes…

This group is the sculptor's working model for one of two monumental stone sculptures completed in 1870 and still in the garden of the palace at Fontainbleau. Like Venus, the companion sculpture, Jupiter has no precedent in antique iconography and is…